Banca de DEFESA: PEDRO AUGUSTO DA SILVA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : PEDRO AUGUSTO DA SILVA
DATA : 10/12/2018
HORA: 14:00
LOCAL: Sala 22 Escola de Musica
TÍTULO:

­­­­­­­­­­­­­­­­­­­­­­­­­­­­­Concertino N.1 for trombone and string orchestra by composer Fernando Deddos: technical-interpretative and pedagogical perspectives

PALAVRAS-CHAVES:

Musical performance. Instrument teaching. Trombone.

PÁGINAS: 80
GRANDE ÁREA: Linguística, Letras e Artes
ÁREA: Artes
SUBÁREA: Música
ESPECIALIDADE: Instrumentação Musical
RESUMO:

In the construction of a musical performance, several procedures are used in function of the interpretative creation of a work, especially the instrumental practice plans are used by students, teachers and professional musicians to develop their musical performance. Faced with the instrumental practice in terms of the construction of musical performance in the instrument and the diversity of procedures that constitute the elaboration of musical interpretation, there is a need for understanding and effectiveness of the planning used for the process that contributes directly to the performance result. In this direction, it is proposed in this work to understand the processes of construction of musical performance in the Trombone on the Concertino N.1 for Trombone and String Orchestra of the composer Fernando Deddos. In this sense, the Brazilian scientific production on the instrument in question will be consulted, and the more general literatures in the scope of instrument performance and teaching will be used in a complementary way. For the development of this study, will be part of the research meetings with the composer aiming at the fomentation of informative data about the piece studied and technical-interpretative analysis of the work by the author of this research, seeking to understand the main features of the work, enabling interpretive possibilities and challenges for the trombonist interpreter, as well as semi-structured interviews with interpreter in which the work was dedicated and the composer of the work. It is expected with this research to broaden the discourse about the work studied, as well as to foment ideas to build a technical-interpretative and pedagogical knowledge regarding the musical performance in the trombone from the work studied. For the area of music in general, I understand that the accomplishment of this work is relevant because little has been discussed in Brazil about contemporary Brazilian music written for Trombone, as well as on the processes of learning and construction of the musical performance in the trombone of a work specific.

MEMBROS DA BANCA:
Externo à Instituição - ALEXANDRE MAGNO E SILVA FERREIRA - UFPB
Presidente - 1627429 - RADEGUNDIS ARANHA TAVARES FEITOSA
Interno - 1169086 - RANILSON BEZERRA DE FARIAS