Banca de DEFESA: LUCAS VICTOR DE OLIVEIRA ARAUJO
Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.STUDENT : LUCAS VICTOR DE OLIVEIRA ARAUJO
DATE: 04/11/2022
TIME: 08:30
LOCAL: UFRN, CCHLA, Auditório C
TITLE:
Real and ideology in The ones who walk away from Omelas.
KEY WORDS:
Keywords: The wind’s twelve corners. Ethics. Ideological formation. Real. Utopia.
PAGES: 76
BIG AREA: Linguística, Letras e Artes
AREA: Letras
SUBÁREA: Literatura Comparada
SUMMARY:
This work aims to analyze the representation of the narrator’s ideological composition in the short story The ones who walk away from Omelas, part of the collection The wind’s twelve corners¸by the American writer Ursula K. Le Guin in order to comprehend to what extent the analyzed text contains a transition between the concepts of utopia and dystopia, how the narrative builds an utopic proposal, and by what mean the iekian view on the Real may contribute to the leguinian studies. To do so, analyses are performed regarding the concept of ideology as seen from the dialogical perspective, ideologically neutral and given valor only when connected to the speeches of social life. The research also makes use of the Circle’s concepts of author-creator, double-voiced discourse, and utterance in order to better comprehend the literary writing process as materializing ideologies from the live social world. We dialogue these concepts with the psychoanalytic studies of the Slavic philosopher Slavoj iek. The Slavic author has ideology as a similar concept to the lacanian Symbolic, a layer of distortion on one’s perception of the Real. Although both theories come from distinct areas of knowledge and different premises, through iek’s “parallax vision” method it is possible to attain perspective that contains mutually exclusive points of view. Thus, it allows for a better comprehension of how two different theories are similar and or not, an understanding that would otherwise be impossible. Through this understanding one may trace a more complete reading of the literary object. The analysis exposes through the dialogical mechanisms the manner through which the narrator’s discourses are constructed with the objective of dialoguing with the discourses from social life present in the presumed reader. The iekian perspective elucidates how this ideological connection deals with the perception of utopia as non-existing in the realm of the Real and dystopia as a passion for the Real.
COMMITTEE MEMBERS:
Presidente - 3351552 - ROSANNE BEZERRA DE ARAUJO
Interna - 1803529 - REGINA SIMON DA SILVA
Externo à Instituição - TITO MATIAS FERREIRA JÚNIOR - IFRN