Banca de DEFESA: JUCELY REGIS DOS ANJOS SILVA

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
STUDENT : JUCELY REGIS DOS ANJOS SILVA
DATE: 23/09/2022
TIME: 09:00
LOCAL: Natal (Virtual)
TITLE:

POETRY HALF-BROKEN: THE CRITIC POETRY OF ANA CRISTINA CESAR

KEY WORDS:

Ana Cristina Cesar. Poetry. Critic. Lyricism. Modernity.

PAGES: 138
BIG AREA: Linguística, Letras e Artes
AREA: Letras
SUBÁREA: Literatura Comparada
SUMMARY:

Literature, Communication and Translation student, professor, poet and literary critic, Ana Cristina Cesar is cited as one of the important names of Brazilian marginal poetry of the 1970’s. Many of the critics who studied her works pointed how different they were from the poetry that was being developed at the time and noticed a restless and productive thought on literature. Considering the singular place of works such as A teus pés (CESAR, 1999) and Crítica e tradução (CESAR, 1998), this research aims to investigate the construction of a critic poetry in Cesar’s works, from negotiations, displacements and transcreations in dialogues performed with the so-called “modern tradition” (PAZ, 2013) and the proposals of the mimeograph generation. This investigation includes the identification of correlations and contradictions between the generational discourse, the critic discourse, and the way the poems of the main poets of this generation are presented. The analysis of conceptual and poetic appropriations carried out by Ana C. for the construction of markedly metalinguistic texts and the shattering of constituted areas of knowledge, Literature Theory being one of them, are also part of this study. Through the construction of a hybrid poetic, in what regards the form of presentation, and of a fundamentally critic text, be it written in the form of poetry or of an essay, the work of Cesar brings important reflections regarding the classificatory potential of discursive systems, the limits between experience and language and the restrictions of lyricism in contemporaneity. It is possible to observe in the analyzed works: the work with genres considered non-literary, such as letters and diaries, in order to deconstruct limiting perspectives about what can be understood for an “I” writing; the wearing of lyricism through metalanguage, irony and poetic pretense; the transcreation of poetry through composition from the voices of other poets and fragments of the individual and historic experience; the reinvention of the critic text from strategies of fictionalization, fragmentation and construction. All the adopted proceedings showed an indissociability between poetry, critic and translation in Ana Cristina Cesar works, that were able to bring issues that are still fundamental in regard to the Literary institution and the act of writing itself.

COMMITTEE MEMBERS:
Interno - 1718581 - EDUARDO ANIBAL PELLEJERO
Interno - 3546280 - SAMUEL ANDERSON DE OLIVEIRA LIMA
Externa ao Programa - 1674934 - TANIA MARIA DE ARAUJO LIMA - UFRNExterna à Instituição - CASSIA DE FATIMA MATOS DOS SANTOS - IFRN
Externo à Instituição - OTÁVIO GUIMARÃES TAVARES - UFPA