Banca de DEFESA: RAFAEL BARROS DE ALENCAR

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
STUDENT : RAFAEL BARROS DE ALENCAR
DATE: 25/06/2020
TIME: 14:00
LOCAL: Plataforma virtual
TITLE:

“A Palo Seco”: a neo-baroque approach between Belchior and João Cabral de Melo Neto

KEY WORDS:

A Palo Seco. Baroque. Poetic Signs. Belchior. João Cabral de Melo Neto.

PAGES: 111
BIG AREA: Linguística, Letras e Artes
AREA: Letras
SUBÁREA: Literatura Comparada
SUMMARY:

“Eu quero é que esse canto torto feito faca corte a carne de vocês” (NETO, 2019, p. 74). This research is developed in Comparative Literature and aims to analyze neo-baroque characteristics in Belchior's work from the dialogue with poetic signs present in the work of João Cabral de Melo Neto. The starting point for this research is “A Palo Seco”, a poem in João Cabral and a song in Belchior, from the album ‘Mote e Glosa’ (1974). In the poem, “A Palo Seco” which is a Spanish expression that refers to the flamenco matrix, appears associated with the image of the blade, to “cante sem,/ o cante despido,/ é cante desarmado:/ só a lâmina da voz/ sem a arma do braço” (SECCHIN, 1985, p. 146), poetic sign used also in other poems. The image of the blade is also used in the work of Belchior, not only in the song “A Palo Seco”, as well as in “Apenas um rapaz latino-americano”, “Pequeno mapa do tempo”, among others. In research, two artistic perspectives (João Cabral de Melo Neto e Belchior), two poetic forms (literature and music), a dialogue (Baroque and Neo-Baroque), and analysis scenarios (arid region, global, retreat, fear, a palo seco, the voice and the life. The work is organized in 4 chapters, going through the question of the approximation of literature with music and more specifically the intermingling of these themes in Comparative Literature, followed by a chapter that observes the research already carried out involving Belchior and João Cabral de Melo Neto and finally, the analytical chapter, which develops the neo-baroque theme in the work of the songwriter Belchior. In this sequence we have the dialogue between literature and music based on the theory of authors such as Francisco Ivan (2013), Verônica Moura (2014), Perrone-Moises (2016), Tania Franco Carvalhal (1991), Antônio Candido (1994), among others. We conducted a survey on research involving Belchior and João Cabral, including work by authors such as Josely Carlos (2007), Eurídice Figueiredo (2013), Jotabê Medeiros (2017), Glenda Moura (2014), José Américo Saraiva (2007), Lenise dos Santos Santiago (2007 and 2011), among others. The path of analysis goes through Baroque Cabraline poetic signs, such as the blade, the knife, the retreatant, the regional and the global, the sing and the life, which are appropriate in the work of the Ceará and, as a theoretical contribution to understand the neo-baroque we work with authors such as: Severo Sarduy (1987), Francisco Ivan (2013), Francisco Israel de Carvalho (2012). The results of this analysis sought to perceive neo-baroque characteristics in Belchior's work from that contact with the baroque in João Cabral, present in the poetic signs that make dialogue between the works of both.

BANKING MEMBERS:
Presidente - 3546280 - SAMUEL ANDERSON DE OLIVEIRA LIMA
Interno - 1299003 - DERIVALDO DOS SANTOS
Externo à Instituição - JOAO BATISTA DE MORAIS NETO - IFRN