Banca de DEFESA: MAYARA COSTA PINHEIRO

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
DISCENTE : MAYARA COSTA PINHEIRO
DATA : 02/08/2019
HORA: 14:30
LOCAL: Auditório C do CCHLA
TÍTULO:

SOCIAL AND INTIMATE - TWO VERTICES IN THE NOVEL PRODUCTION OF LUCIO CARDOSO: A STUDY ABOUT THE NOVELS SALGUEIRO AND CHRONICLE OF THE MURDERED HOUSE

PALAVRAS-CHAVES:

Lúcio Cardoso; Novel of 1930; Intimate novel; Narrator; Brazilian literature

PÁGINAS: 110
GRANDE ÁREA: Linguística, Letras e Artes
ÁREA: Letras
SUBÁREA: Literatura Brasileira
RESUMO:

In this thesis, we try to show two moments in the novel production of Lúcio Cardoso: the social phase and the intimate style. To delineate these two vertices of the author's production, we selected the novels Salgueiro (1935) and Chronicle of the Murdered House (1959). The first one is approached as a transitional novel from the social phase to the intimate style, and the second one is considered the apex of Cardoso's intimate narrative. In the development of this analysis, we use as a method the dialectical conception between literature and its production context, establishing a relation between aesthetic-formal and social elements, principles of "integrative criticism" proposed by Antonio Candido (2010b). First, we give an overview of the life and work of Lucio Cardoso, as well as a contextualization about the 1930 novel, showing both the regionalist and intimate / psychological aspects from the perspective of literary critics Luís Bueno (2006), Afrânio Coutinho (2004), Antonio Candido (1989), Wilson Martins (2004), Alfredo Bosi (2006), Massaud Moisés (2004) and Luciana Stegagno Picchio (2004). Then, for Salgueiro analysis, we will use the perspective of Luís Bueno (2006), Lúcia Miguel Pereira (1935), Afrânio Coutinho (1995; 2004a), and Rosiane Vieira de Rezende (2007); as well as Antonio Candido (2010a) and Paulo Franchetti (2012) in the comparison between Salgueiro and O Cortiço, by Aluísio Azevedo, among the elements of naturalistic aesthetics. To develop the specific analysis of Chronicle of the murdered house, we used the concepts of dialogism and polyphony proposed by Mikhail Bakhtin (2015b), Wayne Booth's (1980) notion implied author and the contextualization of Gilberto Freyre (2004) on the decadence of Brazilian rural patriarchy. Finally, the link between the analysis of Salgueiro and Chronicle of the murdered house occurred through the structural category of the narrator, because while Salgueiro is narrated in fixed focus with the use of omniscience, Chronicle of the murdered house occurs the predominance of the psychological novel that is represented aesthetically by the various homodiegetic narrators. We try to show how this change in the structural element contributed to consolidate the intimate style of Lúcio Cardoso through the notion of focal polymodality proposed by Gérard Genette (1979) and commented on by Vitor Manuel de Aguiar e Silva (2009).

MEMBROS DA BANCA:
Presidente - 1513790 - ANDREY PEREIRA DE OLIVEIRA
Interno - 1299003 - DERIVALDO DOS SANTOS
Externo ao Programa - 1721904 - MARCIO RENATO PINHEIRO DA SILVA
Externa à Instituição - MARIA DA CONCEIÇÃO SILVA DANTAS MONTEIRO - UERN
Externa à Instituição - RAQUEL DE ARAÚJO SERRÃO - IFRN