Banca de DEFESA: BIA CRISPIM DE ALMEIDA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : BIA CRISPIM DE ALMEIDA
DATA : 31/07/2019
HORA: 14:00
LOCAL: a definir
TÍTULO:

 

IDENTITY (IES) IN TRANSIT: A SCHIZOANALYSIS OF CHARACTER NARRATOR IN JOÃO GILBERTO NOLL’S NOVEL ACENOS E AFAGOS

PALAVRAS-CHAVES:

baroque, body without organs, character-narrator, contemporaneity, identity transit, rhizome, schizoanalysis.

PÁGINAS: 101
GRANDE ÁREA: Linguística, Letras e Artes
ÁREA: Letras
SUBÁREA: Literatura Comparada
RESUMO:

With the main corpus of the novel Acenos e afagos (2008) by the writer João Gilberto Noll, the present work aims to make an analysis on the construction of the character-narrator and consequently of the contemporary narrative approaching the Neobarroque theory of Severo Sarduy (1979), this work will be given, supported by the schizoanalysis proposed by Deleuze and Guattari (2014) and other referential as the "body without organs" of Artaud – Filtered by the studies of Deleuze and Guattari (2014/2015), deterritorialization,  devir, and  rhizome, from the studies of the same duo of philosophers (2014/2015/2017), as well as the concepts of Baroque and Compossibility Deleuzian (2015). It will present a brief overview of the contemporary novel and the role of the narrator in this novel. We will deal with the Baroque novel and its artifices, besides making the approximation between the aforementioned concepts that help to study the contemporary narrative presenting a small sample of works by other authors, namely: Cobra (1975) by Severo Sarduy, Nossa Senhora das Flores (1983) by Jean Genet and Orlando (1986) by Virginia Woolf, whose narrators-characters, characters and/or narratives in transit, are already within a perspective of contemporary romance, whose rhizomatic characteristics, where the compossibilities in which they are conceived are given, point to the Baroque scripture. We will present a concise analysis of the fictional writing of Noll and his critical fortune in which will be made a journey on other Noll works, analyzing aspects of the narrative composition and of Noll's characters, namely: O cego e a dançarina (2008), A fúria do corpo (2008), Hotel Atlântico (1990), Lord (2004), and A céu aberto (2008). The study, here, focuses on the transit identity of the narrators' characters and/or characters of such works and how the critical fortune collaborates to better Bury Noll's work. We will make an exclusive analysis of the transience of the identities of the character-narrator of the work Acenos e afagos (2008), taking as starting point the concepts already mentioned. This work has as a secondary objective to develop analytical tools for the narratives of modernity and postmodernity that carries in their structures new forms of "organization" and conception, built within a Baroque process of mutations, flows, instabilities, ruptures, intensities, and transitivities.

 

MEMBROS DA BANCA:
Externo à Instituição - ALEX BEIGUI DE PAIVA CAVALCANTE - UFOP
Presidente - 1496892 - MARCIO VENICIO BARBOSA
Interna - 3351552 - ROSANNE BEZERRA DE ARAUJO