Banca de QUALIFICAÇÃO: ADRIANA VIEIRA DE SENA

Uma banca de QUALIFICAÇÃO de DOUTORADO foi cadastrada pelo programa.
DISCENTE : ADRIANA VIEIRA DE SENA
DATA : 17/06/2019
HORA: 15:00
LOCAL: a definir
TÍTULO:

A MELANCOLIA EM UM SOPRO DE VIDA - PULSAÇÕES

PALAVRAS-CHAVES:

CLARICE LISPECTOR. FREUD. MODERNITYand MELANCHOLY

PÁGINAS: 78
GRANDE ÁREA: Linguística, Letras e Artes
ÁREA: Linguística
RESUMO:

The term melancholy is considered a slippery slope concept by researchers in the field because it can designate from a philosophical inspiration, in the words of the Greek philosopher Aristotle, passing through a morbid prostration, as Freud (1980) points out, by a being adrift of existence, in the contemporary understanding of Denilson Lopes (1999), finally , to be situated by Lambotte (2000) in an independent configuration, because neither it is located in the set of the neuroses nor of the psychoses. 

The novel A breath of life - Pulsations (1999) is a complex work, because it addresses existential and deep issues. The story is marked by unimaginable strength and beauty. It revolves around only two characters: the Author and Angela Pralini. We sought to visualize it in the first three chapters of the dissertation. In the first, it focused on a breath of life - pulsations through the bias of the body as melancholic record. In order to do so, this chapter had the theoretical support of the book O que é corpo (1994), by José Gaiarsa, O discurso melancólico (1997) by Marie-Claude Lambotte and Mourning and Melancholia (1980) by Sigmund Freud. Then, in a second opportunity, the novel was analyzed by the bias of the melancholic language.

Thus, the title The melancholic discourse in the voice of Ângela Pralini is born. Through her uninterrupted speech, she moves between paths in her discourse that reveals her decaying interior before the world erected by men. Simultaneously with the fixity of her act of saying, Ângela develops a soft mobility that leads her to an eclipsed time. She is immersed in a time that does not move, but that does not stop either. Through this eclipsed temporal space, between the flow and the mobility, it reveals subjects so valued to psychoanalysis: generalized inhibition, specular problematic and negativism. Finally, in a third chapter, we sought to weave a relationship between beauty and melancholy. Thus, the theoretical text, the basis for this work, is Umberto Eco's On Ugliness (2014). The author equates the concept of beauty historically and critically in order to gradually arrive at the concept of ugliness, and the way it socially acquired relevance, from the concept of beauty to gradually go to the concept of ugliness, as well as having acquired relevance in society. Kristeva (1987) is one of the theoretical norms that allow us to understand this interrelationship. Denilson Lopes (1999) and Lambotte (2000) will be part of this last section.

In addition, the short story The Beauty and the Beast or the Enormous Wound, also by Clarice Lispector, was chosen as a way to understanding this beauty emanating from the melancholy subject's gaze.

MEMBROS DA BANCA:
Externo à Instituição - ANTONIO FERNANDES DE MEDEIROS JUNIOR - UFRN
Presidente - 028.795.518-46 - MARCOS FALCHERO FALLEIROS - UFRN
Interna - 3351552 - ROSANNE BEZERRA DE ARAUJO