Banca de DEFESA: ALBANIZA ALVES DOS SANTOS

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
DISCENTE : ALBANIZA ALVES DOS SANTOS
DATA : 24/07/2018
HORA: 09:00
LOCAL: A definir
TÍTULO:

GRANDE SERTÃO: VEREDAS e CARTILHA DO SILÊNCIO: REALITY IS RECOMPROVED BY THE TRANSFER OF THE MEMORY

PALAVRAS-CHAVES:

Keywords:Eroticism. Rememoration. Rosa and Dantas. Regional tradition.

PÁGINAS: 210
GRANDE ÁREA: Linguística, Letras e Artes
ÁREA: Letras
RESUMO:

ABSTRACT

 

This research deals with the investigation of the intertextual networks between the works Grande Sertão: Veredas, by João Guimarães Rosa, published in 1956, and Cartilha do Silêncio, by Francisco José Costa Dantas, 1997. In order to make the writing through its similarities and differences, as regards the analytical remembrance categories associated with the figuration of the literary tradition constituted, the allegory of circularity and the erotic, as elements of composition of the novels. From the notion of intertextuality (CARVALHAL, 2003) and dialogism (BAKHTIN, 1997), comparative literature foundations, we understand the mention of one writer to another suggests, in this context, that both the continuity of the tradition and its problematization or reinvention, which, according to Antonio Candido (2000), helps to constitute the Brazilian "literary system". In this direction, Francisco Dantas' work integrates this system, giving continuity to the regionalist literary tradition, and, in particular, the Rosa's fiction, in the frames of contemporary Brazilian literature. To discuss about memory, we adopted the Ecléa Bosi's (1994), Le Goff's (1996) and Paul Ricouer's studies (2007). In the reflections on the circular movement of the works, we chose Walter Benjamin's (1984) and Kothe's (1986) theoretical systematization, as far as the notion of allegory is concerned. From this perspective, it was possible to perceive that memory makes the (re)construction of Sertão and Cartilha narrative as an expression of fragmentation, instigating the discontinuous movement. The investigated works are inscribed under the principle of non-immobility, of the circularity allegory around what their characters live, of a memory that escapes the logical chain of remembered matter, because they were made of "patchwork" and forgetfulness, of sensed and silenced desires, of a time combined with other times, of going forward and of immediate retreat. To discussion about the erotic, Georges Bataille's (2004) and Octavio Paz's thoughts (1994) served as a theoretical contribution. From them, we try to analyze the intense and non-permissive wills, in view of the "impositions on which the world of reason rests" (Bataille, 2004). In their singularities, Rosa and Dantas bring to the expression of their novels the sign of the existence contradictions, between appearance and what is hidden in it, between will and prohibitions.

MEMBROS DA BANCA:
Presidente - 1513790 - ANDREY PEREIRA DE OLIVEIRA
Interno - 1675070 - JOSE LUIZ FERREIRA
Externo ao Programa - 1055142 - FRANCISCO FABIO VIEIRA MARCOLINO
Externo à Instituição - MARÍLIA GONÇALVES BORGES SILVEIRA - IFRN
Externo à Instituição - WELLINGTON MEDEIROS DE ARAUJO - UERN