Banca de DEFESA: ARNALDO RODRIGUES BEZERRA FILHO

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
DISCENTE : ARNALDO RODRIGUES BEZERRA FILHO
DATA : 06/07/2018
HORA: 09:00
LOCAL: CCHLA - sala a definir
TÍTULO:

FIGURES OF THE PLACE, THE NAME AND THE LETTER

IN THE WRITING OF ANTONIN ARTAUD

PALAVRAS-CHAVES:

Gross writing. Language. Discourse analysis. Psychoanalysis. Artaud.

PÁGINAS: 142
GRANDE ÁREA: Linguística, Letras e Artes
ÁREA: Letras
SUBÁREA: Literatura Comparada
RESUMO:

We know how critical and revolutionary the poet and playwright Antonin Artaud (1896-1948) is in the face of canonical language, especially since the period when he was a member of the surrealist artistic movement between 1924 and 1926, which was based on discourse free from the rational and repressive ties of the subject from his childhood. Its members in their creations bordered on madness attracted by the fascination of the imaginary. This research sought to visualize the writing of Artaud without giving it a status of another clinical case study, but that of a subject who despite the suffering of psychosis, expressed himself by art, especially literary and theatrical, also as a means of preserving his existence, of overexing. Therefore, we observe the writing made by the being and not only by the patient. For this, we compare traditional writing and psychotic writing (outsider), tracing between them common and differential elements without the adoption of a priori theory. Thus, with the light of an intertextual critical analysis, we had as theoretical goals: on the side of psychoanalysis, the works of Sigmund Freud and Jacques Lacan; of Discourse Analysis (AD), especially Dominique Maingueneau's approach; among the scholars of Artaud, the philosophers Gilles Deleuze and Jacques Derrida, the psychoanalyst Felix Guattari, the philosopher and psychoanalyst Julia Kristeva, the literary and philosopher Maurice Blanchot, and several other studies. We delimit the corpus with important writings of Artaud and correspondence with his doctor Gaston Ferdière and others, especially during the asylum in Rodez, in France, between 1943 and 1946. We find that Artaud transforms the conventional syntax and semantics of the mother tongue with glossolalia and a discourse that reaches the threshold of meaning, and even nonsense. He raised his singular writing to the multiverse of the performance art. He entered the literary and theatrical milieu with the style of a sound poetics whose effectiveness made him enter the symbolic world. We note the importance of multidisciplinary research on language, which showed us how much and how Artaud overcame psychosis by becoming legitimate in the position of a subject in process.

MEMBROS DA BANCA:
Presidente - 1496892 - MARCIO VENICIO BARBOSA
Externo ao Programa - 1501788 - ALEXSANDRO GALENO ARAUJO DANTAS
Externo ao Programa - 008.055.544-67 - FAGNER TORRES DE FRANÇA
Externo à Instituição - DJASON BARBOSA DA CUNHA - UPV/EHU
Externo à Instituição - LUIS FRANCISCO GONÇALVES DE ANDRADE - UFPB