Banca de DEFESA: MARCOS VINÍCIUS FERNANDES

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
DISCENTE : MARCOS VINÍCIUS FERNANDES
DATA : 26/06/2018
HORA: 09:00
LOCAL: a definir
TÍTULO:

Dagger, Cloack and shady: RECEPTION AND RESSIGNIFICATION OF THE MYTH OF DON JUAN IN THE POETRY OF CASTRO ALVES

PALAVRAS-CHAVES:

Castro Alves, Don Juan, literary reception, gothic, fantastic.

PÁGINAS: 312
GRANDE ÁREA: Linguística, Letras e Artes
ÁREA: Letras
SUBÁREA: Literatura Comparada
RESUMO:

The present work has the purpose of studying the assumed feature of the literary myth of Don Juan in some compositions of the literary work of Castro Alves, highlighting the productions realized in prose: "Pesadelo" (1863), "Crônica Jornalística" (1864) and “Don Juan ou a prole dos saturnos” (1869). The myth of Don Juan in the artistic production of the Bahian poet raises questions still not clearly resolved today. In order to better understand the manifestations of the Spanish seducer's motif in the work of the Brazilian romantic, we intend to draw a line of analysis directed to the historical research of literary loans in their transformations assented by the creative impulse of the writer. Revisiting the critical fortune of Castro Alves, In the works of Haddad (1953), Gomes (1997), Ferreira (1947), and others, we find gaps that have not yet been filled in relation to the publication of his texts and attribution of works that are not his author, directly or indirectly implying the way in which the researcher enters the reading of poetic motifs in his work.  In this way, we invested in this study in a research of genetic criticism and textual reception in order to reassess the heritage of his work and to reconfigure the image traditionally accepted by his most influential critics regarding the literary motif of Don Juan. Highlighting the reading experiences practiced in the academic cultural circles through which the poet worked, such as Recife and São Paulo, recovering a forgotten dominant of his literary production, namely, the cult of the fantastic and the gothic, we proposed to analyze, between  poems more anthologized and consecrated by the Bahian writer, such as "Os três amores" and " Adormecida", texts equally on which the attention of the castroalvin studies has not yet been attracted. Purpose compare the famous narrative of the Spanish seducer with our delimited corpus, we also proceeded present the evolution of the myth from its literary textual establishment with Tirso de Molina, followed closely by the re-creation of Molière and Mozart in the 17th and 18th centuries, until the expansion reached by the romantics

MEMBROS DA BANCA:
Interno - 1513790 - ANDREY PEREIRA DE OLIVEIRA
Externo à Instituição - FLÁVIA CRISTINA DE SOUZA NASCIMENTO FALLEIROS - UNESP
Presidente - 021.087.164-40 - KARINA CHIANCA VENÂNCIO - UFPB
Interno - 1496892 - MARCIO VENICIO BARBOSA
Externo à Instituição - PHILIO GENERINO TERZAKIS - UFPB