Banca de DEFESA: MARIA DA LUZ DUARTE LEITE SIVA

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
DISCENTE : MARIA DA LUZ DUARTE LEITE SIVA
DATA : 30/10/2017
HORA: 14:00
LOCAL: Auditório 3 do Instituto Àgora
TÍTULO:

Tension between word and gesture in clarice Lispector

PALAVRAS-CHAVES:

Drama. Gesture. theatricality. Literature. Mimesis. Diegese.

PÁGINAS: 179
GRANDE ÁREA: Linguística, Letras e Artes
ÁREA: Letras
SUBÁREA: Literatura Comparada
RESUMO:

The drama, as a literary genre, became part of the Performing Arts, and since its origins has been imposing disciplinary boundaries. As such, the text that governs the scene within the drama constitutes itself as a transdisciplinary element even when looked under the light of the literature. Clarice Lispector’s literary work presents itself as a fiction that gives grounds to symbolic representation emphasizing traces of drama. The characters in the tales within A Via Crucis do Corpo (1998) see themselves in conflicting situations when in search for their self. Accordingly, the present work aims to discuss about the metaphors that pervades the play operating between mimesis and diegese within the dialogues that are, sometimes, constructed in a monolog format, and other times in a dialogic format, or in soliloquy. Within this context, this work analyses the characters’ dramaturgy through the construction of their discourses in some fragments of Clarice Lispector’s A Via Crucis do Corpo. As theoretical basis, Sarrazac's (2012) reflections are taken to understand the modern and contemporary drama, Szondi, which portrays the crisis of drama, Artaud, to understand the difference of positioning of what is theater, or rather, it´s modernization, Nunes (1989), who discusses the drama of language in Clarice Lispector, Stanislavski (1983), who points out the construction of the character, among others.This work also aims to answer the following questions: to what extent the questions of the drama reveal, through gesture, the dramatic tensions of the writer’s style? Is it possible to think of Lispector’s literature as a space of tension between the diegetic and the mimetic? Can space in the enunciation of the discourse constitute itself as a stage space or as part of the scenography of the word through gesture? These questions above haves helped reaching the perception that the narratives and the fragments analyzed here transit between the word and the gesture within a mimetic and diegetic format. Ultimately, the intention here was to contribute to the understanding of the importance of the gesture within Clarice Lispector’s work.

MEMBROS DA BANCA:
Presidente - 1550297 - ALEX BEIGUI DE PAIVA CAVALCANTE
Interno - 1496892 - MARCIO VENICIO BARBOSA
Interno - 1423480 - WIEBKE ROBEN DE ALENCAR XAVIER
Externo à Instituição - LILIAN DE OLIVEIRA RODRIGUES - UERN
Externo à Instituição - REBEKA CAROÇA SEIXAS - IFRN