Banca de QUALIFICAÇÃO: MARIANA ALVES BARBOSA

Uma banca de QUALIFICAÇÃO de MESTRADO foi cadastrada pelo programa.
DISCENTE : MARIANA ALVES BARBOSA
DATA : 25/09/2017
HORA: 09:00
LOCAL: Sala 305 CCHLA
TÍTULO:

Black Blood – White Masks: Blackness and Feminism in Noémia de Sousa

PALAVRAS-CHAVES:

Africanity. Noémia de Sousa. Mozambican Poetry.

PÁGINAS: 77
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Letras
SUBÁREA: Literatura Comparada
RESUMO:

This dissertation aims to study the work Sangue Negro (2016), by the poet Noémia de Sousa (1926-2002), considered the "mother of Mozambican poets". This research aims to make a reading of Noémia de Sousa’s poems in a dialogue with aspects of feminism and blackness. The corpus used incorporates the following poems collected in Sangue Negro (2016): "Negra", "Poema" and "A Billie Holiday, cantora". In the preliminary work of the research, before analyzing the poetic text itself, we deal with fundamental questions for the basis of the poem’s interpretations: feminism, feminine writing, power, cultural studies, postmodernity and blackness in order to perceive the dialogical relationships between the theories and the selected poems. Noémia de Sousa’s poetry is permeated by silences, so that we can observe that there is a triple silencing: the one of the poem, for being a woman and for being black. For theoretical-methodological issues, the present research is qualitative-interpretative based. Concerning the nature of the sources used, the research is bibliographical. Taking into account the purpose of the research, the method selected is that of the bibliographic review, with selection and analysis of bibliographic material. The present scientific work belongs to the area of the Studies in Comparative Literature, specifically related to Cultural Studies. In this line of research, we support our analysis in the following theorists: Badinter (1986), Bhabha (1998), Césaire (2010), Connor (2000), Deleuze (2001), Fanon (2008), Foucault (2006), Glissant (2005), Goldsttein (1986), Hall (2005), Mignolo (2003), Munanga (2009), Pignatari (2005), Pound (1995), Showalter (1994), Spivak (2010). At the end of the analysis of one of the selected poems - "A Billie Holiday, cantora", we see that it is the pain of the African race and the pain of the woman bringing us a hope of change, of better days.

MEMBROS DA BANCA:
Presidente - 1551756 - EDVALDO BALDUINO BISPO
Externo ao Programa - 1674934 - TANIA MARIA DE ARAUJO LIMA
Externo à Instituição - ROSILDA ALVES BEZERRA - UEPB