Banca de DEFESA: CARLOS ROBERTO RODRIGUES BARATA JÚNIOR
Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.DISCENTE : CARLOS ROBERTO RODRIGUES BARATA JÚNIOR
DATA : 21/09/2016
HORA: 14:00
LOCAL: Auditório Onofre Lopes da EMUFRN
TÍTULO:
Atavist memory: the aesthetics of madness in Mario Quintana
PALAVRAS-CHAVES:
Madness. Memory. Poetry. Quintana.Society.
PÁGINAS: 243
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Letras
SUBÁREA: Literatura Comparada
RESUMO:
This work aims to investigate the meanings of the trope madness and its many derivatives in the work of the Brazilian poet Mario Quintana (1906-1994). The Southern poet worked for over half a century with na aesthetic unified plan, like a tapestry of recurring images, in an attempt to question the concepts of reason and conscience. The poem Atavism (1977) offers itself as a central axle to our analysis. Guided by Atavismo, this study observed the terms madness and poetry have the same genesis: an atavistic memory. In order to do so, it was necessary to consider inferences about atavism, a concept from Biology concerned to a special type of memory and about memory itself. Because its redundant insistence with the adjective atavist as an attribute of memory, the poet lead us to the perception that the discussion about madness/poetry turns around a collective problem, that is a social problem in relation with time and the values of time. The comprehension is that the terms madness/poetry are built as an antithesis of specific social settings like political, artistic, economic and cultural backgrounds. Trying to achieve a comprehension of such antithesis that defends more spontaneous ways of life, his work walks towards its end analyzing the tropes and aesthetical resources with which the poet embodied his plan: the child, the madman, Trebizon and other attachés in the Quintanian linguistic cast. Since we have been working with a very articulated poetics, a connected reading of the poems is desirable, which does not mean hermetic or exclusive. However, this approach does not prevent lay hold of other texts and explanatory elements that support this research with theoretical, critical, aesthetic and philosophical contributions. Therefore, the intersection of the poems with the voices of texts like Sophocles (497?–406? A.C.), William Shakespeare (1560?-1616), Machado de Assis (1839─1908), Mikhail Bakhtin (1895-1975),Henri Bergson (1859-1941), Maurice Halbwachs (1877-1945), Salvador Dalí (1904-1989), Jacques Le Goff (1924─), Michel Foucault (1926─1984), Ecléa Bosi, among others. Such voices promote richer critical notes about a Brazilian work spread over a lifetime in defense of a humanity beyond Cartesian logic.
MEMBROS DA BANCA:
Presidente - 1299003 - DERIVALDO DOS SANTOS
Externo ao Programa - 1046766 - SANDRA SASSETTI FERNANDES ERICKSON
Externo ao Programa - 1169325 - VALDENIDES CABRAL DE ARAUJO DIAS
Externo à Instituição - CARLOS ANDRE PINHEIRO - UFPI
Externo à Instituição - GILBERTO MENDONÇA TELES - UCG