Banca de DEFESA: DEBORA KARLA FERNANDES DANTAS

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : DEBORA KARLA FERNANDES DANTAS
DATA : 29/07/2016
HORA: 09:30
LOCAL: Auditório B do CCHLA
TÍTULO:

Magic Mirror: humor, deconstructed images and undefined spaces in Mario Quintana’s poetics

PALAVRAS-CHAVES:

Mario Quintana. Magic mirror. Humor. Images. Spaces.

PÁGINAS: 97
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Letras
SUBÁREA: Literatura Comparada
RESUMO:

This Master´s Thesis, called Magic Mirror: humor, deconstructed images and undefined spaces in Mario Quintana’s poetics, has the general objective of developing an investigation and a questioning on humor, images and spaces reflected in the literary work Magic Mirror (1951), of the alegretense poet Mario de Miranda Quintana. To accomplish this purpose, we developed our analysis primarily through investments of philosophical and literary devices which contributed to elucidate and explain the work. Under the viewpoint of Deleuze (1974), we researched Humor, Irony and Satire issues. To complement our study on Irony, we still acquired Facioli (2010). Alberti (1999) was relevant on the positioning of modernity in the face of philosophical positions about laughter. We conducted the questioning of the image, analyzing it in the face of the "tearing look" with Didi-Huberman (2013), and semiotic notion of Anamorphosis (deforming image) with Baltrušaitis (1984), - based on Quinet (2009) -,  as well as complementary texts which contributed to a better approach to these issues. We still searched to correlate the study of images with the issues of similarity and of the same, undertaken by Foucault (2007), pointing to the idea of deconstruction of mimetic and sedimented images. We concluded our journey with the issues of space in the light of Blanchot (2003), addressing issues related to literary space. Finally, in a Foucauldian perspective (2015), we approached the concept of heterotopias (of other spaces) in which the mirror is regarded as the space of utopia and heterotopias. We concluded that the subtle and disconcerting humor is the main device used by Mario Quintana to deconstruct crystallized and fixed images as well as defined spaces. With his mirror of unformed and surprising images, he reaches unforeseen meanings in the process of significance to which his work gives rise, thereby going against established truths.

 

MEMBROS DA BANCA:
Presidente - 270.058.107-59 - ILZA MATIAS DE SOUSA - UFRN
Externo ao Programa - 350490 - ANTONIO FERNANDES DE MEDEIROS JUNIOR
Externo à Instituição - JOÃO BATISTA DE MORAIS NETO - IFRN