Banca de QUALIFICAÇÃO: LUCICLEIDE DA SILVA ARAÚJO

Uma banca de QUALIFICAÇÃO de DOUTORADO foi cadastrada pelo programa.
STUDENT : LUCICLEIDE DA SILVA ARAÚJO
DATE: 26/03/2024
TIME: 10:00
LOCAL: Virtual - Meet
TITLE:

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KEY WORDS:

Non-verbal language (Gestures); Gender Boundaries; Performance;Rituality; Greek Tragedy.

PAGES: 84
BIG AREA: Ciências Humanas
AREA: História
SUMMARY:

Tragedy, as a genre of literature, is constituted by a specificity inherent to its theatricalstyle and language. In its conception, theater emphasizes a link with the performingexperience of the body. In Attic tragedy, there was a mimicry of male and femaleobserved in the speech and performance of the actors on stage. It is from thisunderstanding, especially the specificity of Greek tragedy, that I seek to understand thebodily mobility perceived not only on the stage, in the actor's body, but also present inthe scenic language that constitutes the characters. Thus, in this thesis proposal, insertedin discussions of Gesture Studies, I analyze the ( verbal and non-verbal) language inthree texts of Sophoclean tragic poetics, performed between 442 and 430 BC: Ajax(Αἴας), Antigone ( Ἀντιγόνη), The Trachinias or The Women of Trachis (Τραχίνιαι). Iseek to understand the gender boundaries perceived in the gestures performed by menand women based on the tragic logos, as well as the meanings of these gestures in thecontext of these spaces of ritualization of Sophoclean poiesis. Non-verbal language isperceived in three categories present in the tragic narrative: gestures (lamentations,silence, rituals), movements (posture, gaze, touches, facial expressions), and scenicobjects (clothes, accessories, and props) that produce a corporeity and compose theparticularity of the theatrical text. I start from the spatialization of practices, uses, andperformativity of bodies in the tragic context to understand how these bodilyexpressions, which demarcate this gender spatiality, are constructed in the context ofSophoclean tragic poetics. To this end, I dialogue with the concepts of performance, byButler (2003), embodied space, by Setha Low (2003), and ritual space, by Susan Cole(2004), thus structuring with gender studies in antiquity a classic bodygraphy of thedifferent ways men and women experienced Athenian ritual space.

COMMITTEE MEMBERS:
Presidente - ***.317.991-** - LYVIA VASCONCELOS BAPTISTA - NENHUMA
Interno - 1518086 - FRANCISCO DAS CHAGAS FERNANDES SANTIAGO JUNIOR
Interna - 1543236 - MARCIA SEVERINA VASQUES
Externa ao Programa - 2371256 - AIRAN DOS SANTOS BORGES DE OLIVEIRA - UFRN