Banca de DEFESA: FRANCISCO DIDIER GUEDES ALBUQUERQUE JUNIOR

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
STUDENT : FRANCISCO DIDIER GUEDES ALBUQUERQUE JUNIOR
DATE: 02/08/2023
TIME: 14:00
LOCAL: meet.google.com/cog-qknr-nuo
TITLE:

TITLE: IN TOCAIA WITH MY SOUND: BAND TOCAIA DA PARAÍBA AND THE CONSTRUCTION OF A HYBRID SOUNDSCAPE IN THE HIGH SERTÃO OF PARAIBA (1995-2010) 

KEY WORDS:
PAGES: 226
BIG AREA: Ciências Humanas
AREA: História
SUMMARY:

This work objective to historicize the composition of new soundscapes in Alto Sertão paraibano, particularly through the musical hybridisms undertaken by the band Tocaia da Paraíba, between 1995 and 2010. Therefore, it is understood that the group is the result of a complex alternative music scene formed in the city of Cajazeiras (Paraíba), in the late 1980s. In this rhythm, as an branch of this local musical culture, the band Tocaia da Paraíba became one of the main exponents of the musical circuit of Paraíba during the 1990s and 2000s, especially, for two reasons: first, by the hybrid structure of its sonority that, established in the middle of Alto Sertão paraibano, brought to its cultural practices new musical references from rock to the bands of pífano, from jazz to coco de roda, from samba to repente sertanejo, uniting the local and global spheres and leading the group to compose  authorial  songs  that  tensioned  the  traditional  conceptions  of  northeastern musicality, particularly the sound space of the sertão paraibano; then, for the notoriety conquered in the musical events to which participated, spread to practically all regions of the  national  territory,  as  well  as  the  appearance  in  journalistic  articles  of  prominent national press. In view of this theme, the present historical analysis seeks to understand the  cultural  practice  that  this  group  proposed  from  its  aesthetic  conceptions  and  the configuration of a hybrid soundscape, positioned by an attitude of artistic independence and alternation with the musical mainstream. As sources, are used the CD insert (cover, back cover) and songs inserted in the albums Tocaia (2000) and Botando pra quebrar (2005),  as  well  as  periodicals  that  reported  the  group  (such  as  Folha  de  São  Paulo, Tribuna  da  Imprensa  and  Gazeta  do  Alto  Piranhas),  blogs,  physical  dissemination materials  (pamphlets  and  posters  of  the  shows),  photographic  records,  audiovisual recordings and interviews - both  with the band Tocaia and other groups of the local alternative scene (GONZÁLEZ, 2013). Regarding the theoretical basis, it is carried out from the operationalization of the concepts of: soundscape, spatil perspective built by Murray Schafer (2011a; 2011b) and Tim Ingold (2015); sertões, discussed by Janaína Amado  (1995)  and  Durval  Muniz  de  Albuquerque  Júnior  (2014);  popular  song, instrumentalized by Marcos Napolitano (2002), José Geraldo Vinci de Moraes (2000), Adalberto Paranhos (2015) and Luiz Tatit (2012); and cultural hybridity, made possible by Nestor Canclini (2019) and Peter Burke (2003).

COMMITTEE MEMBERS:
Externo à Instituição - JOSÉ ADRIANO FENERICK - UNESP
Externo à Instituição - ADALBERTO DE PAULA PARANHOS - UFU
Interno - ***.095.524-** - DURVAL MUNIZ DE ALBUQUERQUE JUNIOR - UEPB
Presidente - ***.394.804-** - FRANCISCO FIRMINO SALES NETO - UFCG