Banca de QUALIFICAÇÃO: GUSTAVO HENRIQUE DE OLIVEIRA CALDAS

Uma banca de QUALIFICAÇÃO de DOUTORADO foi cadastrada pelo programa.
STUDENT : GUSTAVO HENRIQUE DE OLIVEIRA CALDAS
DATE: 05/04/2023
TIME: 14:00
LOCAL: meet.google.com/dnd-bxyn-tsi
TITLE:

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KEY WORDS:

Elderly, Cultural Space, Representativeness

PAGES: 158
BIG AREA: Ciências Humanas
AREA: História
SUMMARY:

This work aims to understand the changes and arrangements of spaces and territorialities occupied by the elderly in Brazilian cinematographic works between 1997 and 2020, based on the following films: Central Station (1998), Copacabana (2001), Madame Satã (2002), The Three Marias (2002), House of Sand (2005), The year my parents went on vacation (2006), Santiago (2007), Chega de Saudade (2008), My friend Claudia (2009), Stories that only exist when remembered (2012), Sweet Mother (2012), Aquarius (2016), Divine Divas (2016), Greta (2019), Bacurau (2019) among others. Our basic questions are: what are the transformations in the character and spatialities of the elderly in contemporary Brazilian cinema between 1997 and 2020 and how such changes are situated in relation to the national cinematographic tradition? How do such displacements dialogue with the recent demands that reinvented the elderly as a subject in Brazil at the turn of the 20th century to the 21st? In order to achieve this aim, it was necessary to carry out a brief history of old age within the cinematographic context based on the tradition of Brazilian cinema that goes back to the 1960s. This historically constructed figure is crossed by all the social hierarchies that cinema ends up incorporating. In this sense, our research highlights the usual and unusual identity roles played by the elderly (elderly, elderly belonging to disadvantaged classes, privileged elderly and belonging to wealthy classes, LGBTQIAP+ elderly, black elderly), observing a dialectic between exclusion and representativeness. To this end, the research starts from the documentary survey with the use of several sources: the films, the set of non-filmic material such as specialized journal, interviews or texts that had an impact on the press, books focused on the field of History, Geriatrics and Cinema. Within this perspective and within a framework of analysis of the film's structures, we intend to carry out qualitative and filmic analyzes with their aesthetic principles necessary for the conclusions of this research. The film analysis also involves the iconographic interpretation to evaluate the social transformations of the spaces and roles attributed to the elderly, using the general acquisition of images in the cinema as sources by the historian.

COMMITTEE MEMBERS:
Interna - 3216927 - FABIULA SEVILHA DE SOUZA
Presidente - 1518086 - FRANCISCO DAS CHAGAS FERNANDES SANTIAGO JUNIOR
Interno - 2277360 - MAGNO FRANCISCO DE JESUS SANTOS