THE MORAL SOCIOLOGY OF ÁGAPE: THE REPRESENTATION OF THE SOCIAL PRACTICE OF MUSIC IN THE SOCIAL RELATIONS OF FILARMÔNICA 24 OCTOBER OF CRUZETA/RN AND OF FILARMÔNICA ERIBERTO JOSÉ BIRTH OF SÃO JOSÉ DE MIPIBU/RN
Agape; Conviviality; Moral Sociology of Love; Social representation.
This study proposes to reveal how the social actors in a situation of coexistence by the social practice of orchestra music perceive and recognize the agapic social actions, since this representation is a construction of a subjective order, but that finds in the objective reality formative elements. The research is qualitative and the sample will be composed of teachers / professors; students and parents. The research will seek data collection through unstructured interviews applied to master/teachers and structured and semi-structured applied to students and parents. To read and interpret the data will be used the technique of content analysis and DSC - Discourse of the Collective Subject. The central objective is to verify the possibility of the social representation of love in the social practices of music among the members of the 24-October Philharmonic Orchestra Cruzeta-RN and Philharmonic Eriberto José Nascimento de São José de Mipibu-RN. For this first moment of the qualification was presented the initial chapter on the theme of love with a genealogy of the term love, an analysis of the main sociological approaches to the theme of love in the 19th and 20th centuries; a study on the dimension of action in the recognition of agrar-agápico; and the agri-agapic analysis as an instrument of social transformation of coexistence.